Cultural memory and new media

My research is carried out in collaboration with the Cork Folklore Project (http://www.ucc.ie/en/cfp/), in particular working with the Cork Memory Map (see www.cork.storiesofplace.org). This is an oral history online map, and memory lies at the heart of the oral historian’s work:

The oral historian, broadly speaking, asks people questions to discover four things: what happened, how they felt about it, how they recall it, and what wider public memory they draw upon. At the heart of this lies memory. (Abrams 2010, 78)

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Iterations, meaning and re-negotiation of meaning

I see oral history maps as a form of thick mapping. This includes my own particular practice, in collaboration with the Cork Folklore Project, of creating digital oral history maps of Cork. (If not yet quite “thick” enough to qualify as thick maps – the aim is that these can be added to so that they can eventually become “thick”.) These maps are online representations of Cork city, where audio stories (excerpts from oral history interviews) are pinned to points on the map. The audio stories include anecdotes about what happens in these places as well as narratives of personal, embodied experiences of place.
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“Thick mapping”

Thick mapping is an idea derived from Geertz’s idea of thick description (Presner et al. 2014, 11). It is a method of doing ethnography – extensive description about cultural context and meaning – a path to understanding (see an outline of Thick Description and Geertz’s use of it here http://culturalstudiesnow.blogspot.ie/2012/05/clifford-geertzs-thick-description.html).
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